Louis Comfort Tiffany (1848-1933)

Louis Comfort Tiffany

(1848-1933)
American glass maker< ahxhsvbs. ティファニーストア/p> He founded his own glass fabric in 1885. He specialized in opaline glass and discovered the technic of favrile glass in 1893 which made him really famous. He designed a lot of stain glasses, vases and lamps. He furnished the house of Mark Twain and also several rooms of the white house.

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On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes

Louis Comfort Tiffany

American Art

Late nineteenth-century European and American landscape painters often painted distant places in order to offer audiences something intriguingly unfamiliar. Louis Comfort Tiffany here recorded a view of relatively “modern” Egyptian monuments: the mosque of Muhammad ‘Ali Pasha, often called the Alabaster Mosque (built 1824–57); and the nearby tombs of the sultans of Egypt’s Baharide Mamluk dynasty (1250–1376). Tiffany based this work on photographs he made in 1871, just two years after the completion of the Suez Canal had stimulated new interest in Egypt and the Middle East.
ARTIST Louis Comfort Tiffany, American, 1848-1933
MEDIUM Oil on canvas
DATES 1872
DIMENSIONS 41 3/8 x 68 1/16 in. (105.1 x 172.9 cm)  (show scale)
SIGNATURE Signed lower left: "Louis C. Tiffany"
COLLECTIONS American Art
MUSEUM LOCATION This item is not on view
ACCESSION NUMBER 06.329
CREDIT LINE Gift of George Foster Peabody
RIGHTS STATEMENT No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact reproductions@brooklynmuseum.org (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
CAPTION Louis Comfort Tiffany (American, 1848-1933). On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes, 1872. Oil on canvas, 41 3/8 x 68 1/16 in. (105.1 x 172.9 cm). Brooklyn Museum, Gift of George Foster Peabody, 06.329 (Photo: Brooklyn Museum, 06.329_SL1.jpg)
IMAGE overall, 06.329_SL1.jpg. Brooklyn Museum photograph
"CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
RECORD COMPLETENESS
Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.


Louis Comfort Tiffany Quotes

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Words of comfort, skillfully administered, are the oldest therapy known to man.
19 up, 11 down
 Louis Nizer quotes 
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If you look for truth, you may find comfort in the end; if you look for comfort you will not get either comfort or truth only soft soap and wishful thinking to begin, and in the end, despair.
97 up, 38 down
 CS Lewis quotes 
 Thinking quotes   Truth quotes   Comfort quotes 
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It may serve as a comfort to us, in all our calamities and afflictions, that he that loses anything and gets wisdom by it is a gainer by the loss
3 up, 0 down
 L Estrange quotes 
 Wisdom quotes   Comfort quotes 
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If you look for truth, you may find comfort in the end; if you look for comfort you will not get either comfort or truth only soft soap and wishful thinking to begin, and in the end, despair.
11 up, 5 down
 CS Lewis quotes 
 Thinking quotes   Truth quotes   Comfort quotes 
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There is peace and rest and comfort in sorrow
28 up, 10 down
 Soren Kierkegaard quotes 
 Peace quotes   Sorrow quotes   Rest quotes   Comfort quotes 
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Comfort and prosperity have never enriched the world as much as adversity has.
9 up, 4 down
 Billy Graham quotes 
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Comfort is the only thing our civilization can give us.
2 up, 0 down
 Oscar Wilde quotes 
 Comfort quotes 
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Do not measure your loss by itself; if you do, it will seem intolerable; but if you will take all human affairs into account you will find that some comfort is to be derived from them.
8 up, 2 down
 St Basil quotes 
 Comfort quotes 
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My comfort is, that old age, that ill layer-up of beauty, can do no more spoil upon my face
18 up, 15 down
 William Shakespeare quotes 
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Oh the comfort, the inexpressible comfort of feeling safe with a person, having neither to weigh thoughts nor measure words, but pouring them all right out, just as they are.
22 up, 7 down
 Dinah Maria Mulock quotes 
 Comfort quotes   Marriage quotes   Love quotes   Friendship quotes   Relationships quotes 
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    Comfort is the only thing our civilization can give us.
    2 up, 0 down
     Oscar Wilde quotes 
     Comfort quotes 
    favorite
     
    Do not measure your loss by itself; if p~~ Louis Comfort Tiffany (1848-1933)

    Louis Comfort Tiffany (1848-1933)

    Louis Comfort Tiffany

    (1848-1933)
    American glass maker< ahxhsvbs. ティファニーストア/p> He founded his own glass fabric in 1885. He specialized in opaline glass and discovered the technic of favrile glass in 1893 which made him really famous. He designed a lot of stain glasses, vases and lamps. He furnished the house of Mark Twain and also several rooms of the white house.

    Gallery


    louis comfort tiffany

    colar da chave tiffany
    configuración tiffany
    Tiffany goud
    tiffany official website uk
    banna bainise tiffany

    On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes

    Louis Comfort Tiffany

    American Art

    Late nineteenth-century European and American landscape painters often painted distant places in order to offer audiences something intriguingly unfamiliar. Louis Comfort Tiffany here recorded a view of relatively “modern” Egyptian monuments: the mosque of Muhammad ‘Ali Pasha, often called the Alabaster Mosque (built 1824–57); and the nearby tombs of the sultans of Egypt’s Baharide Mamluk dynasty (1250–1376). Tiffany based this work on photographs he made in 1871, just two years after the completion of the Suez Canal had stimulated new interest in Egypt and the Middle East.
    ARTIST Louis Comfort Tiffany, American, 1848-1933
    MEDIUM Oil on canvas
    DATES 1872
    DIMENSIONS 41 3/8 x 68 1/16 in. (105.1 x 172.9 cm)  (show scale)
    SIGNATURE Signed lower left: "Louis C. Tiffany"
    COLLECTIONS American Art
    MUSEUM LOCATION This item is not on view
    ACCESSION NUMBER 06.329
    CREDIT LINE Gift of George Foster Peabody
    RIGHTS STATEMENT No known copyright restrictions
    This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please contact reproductions@brooklynmuseum.org (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
    CAPTION Louis Comfort Tiffany (American, 1848-1933). On the Way between Old and New Cairo, Citadel Mosque of Mohammed Ali, and Tombs of the Mamelukes, 1872. Oil on canvas, 41 3/8 x 68 1/16 in. (105.1 x 172.9 cm). Brooklyn Museum, Gift of George Foster Peabody, 06.329 (Photo: Brooklyn Museum, 06.329_SL1.jpg)
    IMAGE overall, 06.329_SL1.jpg. Brooklyn Museum photograph
    "CUR" at the beginning of an image file name means that the image was created by a curatorial staff member. These study images may be digital point-and-shoot photographs, when we don\'t yet have high-quality studio photography, or they may be scans of older negatives, slides, or photographic prints, providing historical documentation of the object.
    RECORD COMPLETENESS
    Not every record you will find here is complete. More information is available for some works than for others, and some entries have been updated more recently. Records are frequently reviewed and revised, and we welcome any additional information you might have.